A new batch of Iceberg Art Cards are ready!
The 'iceberg' is made
from scrunched up painted dryer sheets and stitched onto hand painted backgrounds.
The background is actually interfacing that is usually used at the top of drapes to keep them stiff. I used acrylic paint for the sky and water.
Showing posts with label interfacing. Show all posts
Showing posts with label interfacing. Show all posts
Saturday, April 2, 2016
Wednesday, January 28, 2015
Painting
Today I managed to get a little painting done. I have one art card with flowers left so more are needed for the Trade Show next week in Halifax. My base is the interfacing used to stiffen the top part in making draperies. It can be purchased in rolls that are about 4 inches wide or by the metre / yard. I paint the grass and sky then add stitching. I use bobbin stitching for the stem and leaves and free motion for the flowers. Usually the flowers are either hand stitched or free motioned on organza and then hand stitched to the background. Have a look at a previous post for more samples of these cards. HERE for felted cards and HERE for iceberg cards.
Enjoy!
Enjoy!
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| Lots of painted strips for art cards |
Wednesday, April 11, 2012
Printing on Fabric
Years ago (1999), when I first started in the business of creating fabric landscapes, rock fabric was the hardest to find. When I did come across any, it was way off scale. So I decided to search for other methods to get the fabrics I wanted. My search led me to Bubble Jet Set 2000, invented and manufactured by the C. Jenkins Co. This product 'has revolutionized the way we print on fabric!' As they further state, this non-toxic chemical formula is designed to treat fabric so that permanent images could be printed directly on fabric using an Ink Jet Printer. I have been using this product for years. I take lots of photos of rocks and cliffs to be used in fabric printing. However, I will usually manipulate the photo, sometimes stretching it, before printing out a page of 'rocks'. When working on a piece of art, I will cut up the page and make rocks the size needed for it. I prefer to use silk instead of cotton for the 'rocks' as it is so nice to needle turn and applique in place.
I do print my fabric labels onto 200 thread count cotton (see photo below). After I print and heat set the labels, I put 'fast 2 fuse' interfacing on the back before cutting them out. The labels are ironed on to a project as well as stitched in place. I really don't trust the 'glue' for long time use. I have purchased pretreated white cotton from C. Jenkins and this cuts down on production time. The silk, however, still has to be treated with the liquid.
The iceberg, shown on the second photo, was printed onto cotton, cutout and stitched in place. The sandy beach is from recycled silk that was purchased at Value Village (second hand clothing shop). These shops sometimes have clothes that are perfect for a particular project. All the leather and suede used for the backs of my wearable art pins, come from such places. And, it's way cheaper than going to a tannery for scraps.

I do print my fabric labels onto 200 thread count cotton (see photo below). After I print and heat set the labels, I put 'fast 2 fuse' interfacing on the back before cutting them out. The labels are ironed on to a project as well as stitched in place. I really don't trust the 'glue' for long time use. I have purchased pretreated white cotton from C. Jenkins and this cuts down on production time. The silk, however, still has to be treated with the liquid.
The iceberg, shown on the second photo, was printed onto cotton, cutout and stitched in place. The sandy beach is from recycled silk that was purchased at Value Village (second hand clothing shop). These shops sometimes have clothes that are perfect for a particular project. All the leather and suede used for the backs of my wearable art pins, come from such places. And, it's way cheaper than going to a tannery for scraps.

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